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c. 1445 – May 17, 1510. Italian painter.

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MAULBERTSCH, Franz Anton
Adoration of the Virgin

ID: 33833

MAULBERTSCH, Franz Anton Adoration of the Virgin
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MAULBERTSCH, Franz Anton Adoration of the Virgin


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MAULBERTSCH, Franz Anton

Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century  Related Paintings of MAULBERTSCH, Franz Anton :. | Adoration of the Shepherds (detail) sg | Ceiling decoration | Interior of the Church sg | Rebecca and Eliezer | Allegory of the Alba |
Related Artists:
Cairo, Francesco del
Italian Baroque Era, 1598-1674
Maria Oakey Dewing
American Painter, 1845-1927
Joseph Barney
(1753 - 13 April 1832), was an English artist and engraver. He is usually described as a pupil of Antonio Zucchi and Angelica Kauffmann and as a fruit and flower painter to the Prince Regent. He was born in Wolverhampton. Two of his large-scale paintings - altar pieces eThe Deposition from the Crosse (1781) and eThe Apparition of Our Lord to St Thomase (1784) have been preserved in Wolverhampton, and can be seen today at St Johnes church and at St Peter & St Paules Roman Catholic church. During Barneyes life-time, his artistic achievements were respected and praised. In 1798, Stebbing Shaw, mentioning eThe Deposition from the Crosse in his eHistory of Staffordshiree called Barney a enative geniuse of Wolverhampton. In the collection of Wolverhampton Art Gallery, there is a pen and ink drawing, eA Blind Musiciane, which gives some additional idea of quality and versatility of Barneyes works.






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